Friday, February 20, 2009

Your Best Friend hates poetry

Travel by Your Best Friend

As my legs grew longer, the city became smaller.
The world became smaller as my wallet got fatter.
And as my wallet grew fatter, so did my legs.





Saturday, February 14, 2009

CUFF THE DUKE

I recommend beginning to listen to the first video while reading. The images aren't important and there are no lyrics for a couple minutes.

To pull the goalie? To usurp the throne? I'm sure one could also come up with some more sordid theories as to the meaning of the name 'Cuff the Duke,' but what it means to me is consistently impressive, underrated music.

Their folky sound is often categorized as 'indie rock' or 'alt-country' but I deem it too rural for rock and too good for country. They have released three great albums, earning the respect of their influences such as Blue Rodeo's Greg Keelor. After touring as Hayden's backing band last fall, they spent the first part of the winter recording 14 new songs on Keelor's farm. They played a few of these songs live for the first time last Thursday during an unadvertised show at The Dakota Tavern. First impressions tell me that the new album will be a welcomed addition to their quality catalogue and the intimate setting was an ideal way to debut them. Keelor was even there to provide backing vocals on one song.

With only two original members remaining, it's hard not to give most of the band's credit to singer/ songwriter Wayne Petti. His 2007 solo album 'City Lights Align' plays just as well as the Duke records, though it lacks the full, layered sound that comes with the variety of instruments the band incorporates. It still baffles me that jokes like Nickleback experience international fame while truly great Canadian songwriters remain in near obscurity and work part time jobs.

Though I thoroughly enjoyed last Thursday's set list, old and new songs alike, two of my favourite songs I was confident would be played were neglected. 'Ballad of a Lonely Construction Worker' and 'Confessions from a Parkdale Basement' from the first and third albums respectively, are extremely complimentary in their reversed structures. Whereas 'Construction Worker' begins with a long instrumental introduction, 'Parkdale Basement' begins with a steady stream of lyrics before Petti is joined by the rest of the band for the instrumental finish. Both of these songs are built from two clearly distinct halves (the change occurs at almost exactly the halfway point in each track), and do away with the traditional 'verse/ chorus/ verse/ chorus' format by replacing it with something much fresher.

Here is a fan video of 'Ballad of a Lonely Construction' so you can hear what I'm talking about.

The album version of 'Confessions from a Parkdale Basement' was not on youtube, so I posted this. At first I was just going to use a few pics of the band as the image, but I got a little carried away. You'll notice a picture of the aforementioned Dakota Tavern, which is in fact a basement on the outskirts of Parkdale, and the cover of 'Sidelines of the City' the album on which the song is featured.



The new album won't be out until summer, but another chance to hear some of their new songs before then will be March 14 at Lee's Palace.

Cuff Links:

While they're not great at updating their websites (it was sheer luck that I heard about the Dakota show), you can find out more about the band at their myspace and official website.

Also worth checking out is Wayne Petti's myspace. The Wiki article on the band which gives a good breakdown of the various members to pass through the group.

Rich Aucoin has provided occasional accompaniment to the band, his Brother Paul has produced their last two records. Rich is also an old friend of your best friends' best friend (confused yet?), and a very talented musician himself.

Tuesday, February 10, 2009

What's he hiding?

Watch it. Watch it again. Then try not to watch it a third time. No wonder this thing has almost 10 million views.

Wednesday, February 4, 2009

Welsh Psycho?

Yesterday an audio clip was brought to my attention that has been popping up all over the internet recently. It's about four minutes of Christian Bale administering a verbal beating to the 'Terminator Salvation' director of photography Shane Hurlbut for adjusting lights during a take last July. Listen to the clip below to hear a conniption fit that makes Bill O'Reilly sound mild mannered.

Sure, being distracted from your work can be bothersome, but I couldn't help but hypothesize other reasons for this outburst of Hamlet proportioned humors. Here's what I came up with:

1. After beginning his career with Steven Spielberg and having the more than respectable Christopher Nolan as his most frequent recent collaborator, he was working for McG, whose most notable accomplishments are the Charlie's Angels films and getting away with being called 'McG.' (this hard-nosed director can be heard in the clip controlling the situation with contributions like "I didn't see it" and "fair enough")

2. He was working on a dying franchise while promoting his starring role in the biggest franchise alive right now.

3. He's playing a character made famous by Edward Furlong.

4. In recent years, the actor has put his body through drastic treatment for his roles. Most famously losing over 60 pounds to play 'The Machinest' in 2004 before bulking up for the first Batman film, and again shedding all his muscle to play a POW in 'Rescue Dawn' before becoming Batman for the second time. This physical yo-yoing must take its mental toll as well.

5. In Bale's defense, the assistant director and associate producer Bruce Franklin (presumably the same Bruce Bale tells to "shut the fuck up" during his rant) has said "It was the most emotional scene in the movie. And for him to get stopped in the middle of it - he is very intensely involved in his character." Clearly he mistook the director of photography as a T-800 machine with no feelings.

6. His mother and his sister were currently pressing charges against Bale for verbal assault. Though I see how this could be upsetting, lashing out in front of tons of recording equipment was probably not the best way to deal with those woes.

7. Actors are generally emotional people, it's part of the job. I can never see myself getting this outwardly angry at someone, but I also can't summon all those other emotions on demand the way a talent like Christian Bale can. To do what he does, you need to be passionate, and being passionate will lead to the occasional freak-out.

8. Perhaps he was inspired by the Apatow bunch, and it's all an elaborate ruse. If so, man that guy can fuckin' act!

9. Not to get all sentimental, but as I already mentioned, this was apparently recorded in the same week 'The Dark Knight' was released, an occasion that was supposed to be shared with co-star Heath Ledger. The performance was garnering (and obviously continues to) much acclaim, and his friend wasn't around to reap the benefits of his hard work. This couldn't have been far from his mind.

10. Maybe Bale is just a prick.

Seriously though, Christian Bale has been one of my favourite actors for years, I'm glad his career has taken off and it's too bad stuff like this has to taint our image of him (though I will watch video of this if it ever surfaces). I thought he was a great choice for Batman because I believe that he comes closest to matching the tunnel vision and commitment it would actually take for Bruce Wayne to make his transition. Ever since his first film role at 13 in Spielberg's 'Empire of the Sun' his skills as an actor have been praised, and he's continued with multiple breakthrough performances such as his brilliant turn as 'American Psycho' Patrick Bateman. Along with Jeffery Wright, they completely stole the film as the baddies in 'Shaft' (underrated movie). All this to say, it's no wonder the guy has an ego, takes his work seriously and suffers the occasional emotional flare-up. I don't know what David O. Russel's excuse is.